Cathy Opie Index
Born in Sandusky, OH; 1961
Lives and works in Los Angeles & New York
San Francisco Art Institute, San Francisco, CA; B.F.A, 1985
CalArts, Valencia, CA; M.F.A., 1988
"The Last Time They Met," Stephe Friedman Gallery, London
“Dark Places,” Santa Monica Museum of Art, Santa Monica
"Catherine Opie," Orange County Museum of Art, Newport Beach, June 4-Sept 3; travels to the Museum of Contemporary Art, Cleveland, Sept 29-Dec 30 (solo)
“Catherine Opie: 1999 & In and Around Home,” The 2004 Larry Aldrich Award Exhibition, The Aldrich Contemporary Art Museum, Connecticut (solo)
“Anniversary Exhibition,” Stephen Friedman Gallery, London, March 29 April 23, 2005
“Bidibidobidiboo,” Foundazione Sandretto Re Rebaudengo, Turin, Italy, 2005
“26th Sao Paulo Biennial,” curated by Alfons Hug, Pavilhao Ciccillo Matarazzo, Parque do Ibirapuera, Sao Paulo, Brazil, September 25 December 19, 2004
2004 “The Leopard Spots: Between Art, Performance, and Club Culture,” 18th Street Arts Center, Santa Monica, CA, August 7 October 16, 2004
2004 “Catherine Opie: Surfers,” Regen Projects, Los Angeles, January 10 February 14 (solo)
2004 “Catherine Opie: Children,” Studio Guenzani, Milan, Italy, October 27 December 4 (solo)
2002 “Catherine Opie: Icehouses,” Regen Projects, Los Angeles, CA, May 11 June 15 (solo)
“Inaugural Exhibition,” Regen Projects, Los Angeles, CA, January 25 - March 8, 2003
“Majestic Sprawl: Recent Los Angeles Photography,” Pasadena Museum of California Art, Pasadena, CA, September 21 - December 21
“EXTRAordinary,” Madison Art Center, Madison, WI, December 2 - February 24, 2002
“fe/male,” Plakat-Intervention U-Bahnstation, Braunschweiggasse, Vienna, Austria, August 1 - 31
“Wall Street,” Stephen Friedman Gallery, London, England, November 30 - January 19, 2002 (solo)
“1999,” Galeria Presenca, Porto, Portugal, November 10 - December 20 (solo)
“Catherine Opie: In between here and there,” The Saint Louis Art Museum, St. Louis, MO, October 6 - November 26. (solo)
“Catherine Opie,” The Photographers Gallery, London, England, August 9 - September 24; travels to the Museum of Contemporary Art, Chicago, November18, 2000 - February 18, 2001. (solo)
“Made in California: Art, Image, and Identity, 1900 - 2000,” Los Angeles County Museum of Art, Los Angeles, November 12, 2000 - February 25, 2001.
“Beyond Boundaries: Contemporary Photography in California,” University Art Museum, California State University Long Beach, CA, June 20 - August 6, 2000; Santa Barbara Contemporary Arts Forum, November 11 - December 17, 2000;The Friends of Photography, San Francisco, January 23 - April 29, 2001
“Los Angeles,” Philomene Magers Projektes & Maxmilian Verlag, Munich, Germany
“The American Century: Art and Culture, 1900-2000,” Whitney Museum of American Art, New York, NY, September 23, 1999 - February 27, 2000
“Domestic,” Regen Projects, Los Angeles, CA (solo)
“Catherine Opie: A Survey,” Woodstreet Galleries, Pittsburgh, PA, September 3 - October 16 (solo)
“Love’s Body, Rethinking Naked and Nude in Photography,” Tokyo Metropolitan Museum of Photography, Japan, November 12, 1998 - January 17, 1999.
“Lost Paradise: Catherine Opie, Ellen Cantor, Joachim Koester,” Presenca Gallery, Porto, Portugal, September 26-November 1998
“Mini-Malls,” Jay Gorney Modern Art, New York, NY (solo)
1997 “Catherine Opie,” Museum of Contemporary Art, Los Angeles, Oct. 5 - Feb. 8 (solo)
“Houses and Landscapes,” Ginza Art Space, Shiseido, Tokyo, Japan (solo)
“American Art 1975-1995 from the Whitney Museum: Multiple Identity,” Castello di Rivoli, Museo d’Arte Contemporanea, Italy, October 20-January 18, 1998
“Defining Eye: Women Photographers of the 20th Century,” Selections from the Helen Kornblum Collection, St. Louis Art Museum, St. Louis, MO; traveled to The Museum of Fine Arts, Santa Fe, NM, June 19-August 4, 1998; Mead Museum of Art, Amherst, MA, September 27-December 12; Wichita Art Museum, Wichita, KS, January 31-March 21, 1999; Armand Hammer Museum, Los Angeles, CA, June 1999
“Lie of the Land,” curated by Elizabeth Brown, University Art Museum, UC Santa Barbara, CA, November 26 - February 2, 1997
“Go West: Landscapes,” curated by John Arndt and Barbara Wiesen, Reicher Gallery, Barat College, Lake Forest, IL, November 20 - December 18
“Houses and Landscapes,” Regen Projects, Los Angeles, CA (solo)
“Houses and Freeways,” Jay Gorney Modern Art, NY (solo)
Portraits,” enterprise, New York, NY (solo)
“Portraits,” Parco, Tokyo, Japan (solo)
“Transformers: The Art of Multiphrenia,” curated by Ralph Rugoff, Herbert F. Johnson, organized by Independent Curators International, New York, Decker Galleries, Maryland Institute College of Art, Baltimore, MD, November 17-December 17; traveled to Museum of Art, Cornell University, Ithaca, NY, January 27-March 26, 1996; Nexus Contemporary Art Center, Atlanta, GA, April 12-June 1; Art Gallery of Windsor, Windsor, Ontario, Canada, June 21-September 9; Illingworth Kerr Art Gallery of the Alberta College of Art & Design, Calgary, Alberta, Canada, November 4 - November 28
“A Glimpse of the Norton Collection as Revealed by Kim Dingle,” curated by Kim Dingle, Santa Monica Museum of Art, December 10, 1995 - February 26, 1996; traveled to Site Santa Fe, September 13 - November 2
“In the Field: Landscape in Recent Photography,” Margo Leavin Gallery, Los Angeles
“Little House on the Prairie,” Marc Jancou Gallery, London
“Portraits,” Regen Projects, Los Angeles, CA (solo)
“Portraits,” Kiki Gallery, San Francisco, CA (solo)
“Invitational 93,” Regen Projects, Los Angeles, CA
“Regarding Masculinity,” Arthur Roger Gallery, New Orleans, LA
“Wasteland,” curated by Bas Vroges, Fotografie Biennale Rotterdam III, Rotterdam, The Netherlands
“Breaking Barriers,” Santa Monica Museum of Art, Santa Monica, CA
“Situation,” curated by Nayland Blake and Pam Gregg, New Langton Arts, San Francisco
“Someone or Somebody,” curated by Simon Watson,Meyers/Bloom Gallery, Los Angeles, CA
“Being and Having,” 494 Gallery, New York, NY (solo)
“A Long Way from Paris: Photographs from MacArthur Park, Metro Rail, and Their Surroundings,” Beyond Baroque, Venice, CA (solo)
“All But the Obvious,” curated by Pam Gregg, L.A.C.E., Los Angeles, CA
“New Landscapes,” curated by Williams Hipps, Angel Gate Cultural Center, San Pedro, CA
“Master Plan,” United States Post Office, Valencia, CA (solo)
“Master Plan,” Mills College, Oakland, CA (solo)
“Los Angeles Art Fair,” organized by L.A. Weekly, Criticsí Choice, LA Convention Center
Guggenheim Gallery, Orange County, CA
1985 Camerawork Gallery, San Francisco, CA
The Saint Louis Art Museum, Saint Louis, MO; Defining Eye: Women Photographers of the Twentieth Century (cat.).
Travelling show: The Museum of Fine Arts, Santa Fe (6/19-8/4, 1998), Mead Museum of Art, Amherst (9/27-12/12,
1998), Wichita Art Museum (1/31-3/21, 1999), Armand Hammer Museum, L.A. (June 1999 -)
Bernard Toale Gallery, Boston, MA; Making Pictures: Women and Photography, 1975-Now, curated by Nicole Klagsbrun (9 Apr. - 3 May)
University Art Gallery, San Diego State University, San Diego, CA (8 Feb. - 15 March); Fullerton Museum Center,
Fullerton, CA (6 Apr. - 25 May); Composite Persona, co-organized by Tina Yapelli & Lynn La Bate
Guggenheim Museum, New York, NY; Rrose is a Rrose is a Rrose: Gender Performance in Photography, curated by
Jenny Blessing (6 Feb. - 16 Apr.)
Vancouver Art Gallery, Vancouver, B.C., Canada; Fabrications: Hamish Buchanan, Catherine Opie, David Rasmus,
curated by Kim Fullerton (cat. - 4 Jan. - 9 March)
Centre for Contemporary Arts, Glasgow, Scotland; Inbetweener: Jeanne Dunning, Yasumasa 1 Morimura, Catherine
Opie, Inez van Lamsweerde, Collier Schorr
Castello di Rivoli, Museo d Arte Contemporanea, Italy; American Art 1975- 1995 from the Whitney Museum: Multiple Identity (20 Oct. - 18 Jan.)
The Art Gallery, University of California, Irvine; A Hotbed of Advanced Art: Four Decades of Visual Arts at UCI,
curated by Dickran Tashjian (12 Nov.- 6 Dec.)
Museum of Contemporary Art, Los Angeles; Elusive Paradise: Los Angeles Art from the Permanent Collection,
curated by Dickran Payne and Connie Butler (5 Oct. - 14 Nov. 1999)
Museo di Arte Moderna e Contemporanea di Trento e Rovereto; Trash (11 Sept.- 11 Jan 1998)
Los Angeles County Museum of Art; Selections from Audrey & Sidney Irmas Collection of Photographic Self- Portraits:
1940- 1996 (10 July- 13 Oct.)
Milwaukee Art Museum, Aspen Art School; Identity Crisis: Self Poraiture at the End of the Century, curated by Dean
Sobel (12 Sept.- 9 Nov.) ( 18 Dec.- 15 Feb.)
Galeria de Arte Soledad Lorenzo; Cruising L.A., curated by Jose Alvaro Perdices Torres (24 June- 30 July)
Dansk Art Center, Copenhagen, Denmark; Los Angeles: Metropolis USA, curated by Kirsten Kiser, (May- Sept.)
Louisana Museum , Humlebaek, Denmark (16 May- 7 Sept.); Kunstmuseum Wolfsburg,
Wolfburg, Germany (15 Nov. ñ 1 Feb. 1998) Castello di Rivoli, Rivoli, Italy, (8 May- 23 Aug 1998) and UCLA at The
Armand Hammer Museum, Los Angeles (16 Sept. 1998- Jan. 1999); Sunshine & Noir: Art in LA 1960-1997 (cat.)
Museum of Contemporary Art, Los Angeles, CA; Spheres of Influence (1 June- 7 Sept.)
Centre dí Art Contemporain, Geneva, Switzerland; Veronicaís Revenge: Selections from the Lambert Art Collection (28 Feb.- 11 May)
Vancouver Art Gallery, Vancouver, B.C., Canada; Fabrications: Hamish Buchanan, Catherine
Opie, and David Rasmus, curated by Kim Fullerton (cat. 4 Jan. - 9 Mar.)
Koldo Mitxelena Kulturunea, El Rostro Velado: Travestismo e Identidad en el Arte, curated by Jose Miguel G. Cortes (cat. 12 June- 6 Sept.)
University Art Museum, University of California, Santa Barbara, CA; The Lie of the Land, curated by Elizabeth A. Brown (brochure - 24 Nov. - 2 Feb.)
The Photographers' Gallery, London, England; Evident: Joseph Bartscherer, Martin Cole, Stefan Gec, Axel Hutte,
Catherine Opie, James Welling, curated by Andrew Cross (8 Nov. - 11 Jan. 1997)
Reicher Gallery, Baret College, Lake Forest, IL; Go West: Landscapes, curated by John Arndt and Barbara Wiesen (20 Nov.- 18 Dec.)
Museum of Fine Arts, Boston, MA; Face and Figure: Contemporary Art in the Permanent Collection (13 Nov.-30 Mar. 1997)
Centre for Contemporary Art, Glasgow; Inbewteener (15 Nov.-11 Jan.)
National Gallery, Athens, Greece (10 June - 30 Sept.); Museu d'Art Contemporani, Barcelona, Spain (18 Dec- 6 Apr. 1997); Kunstmuseum, Bonn, Germany (June - Sept. 1997); Art at the End of the 20th Century, organized by David Ross and Eugenie Tsai (cat.)
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY; a/drift, curated by Joshua Decter (cat. 20 Oct.-5 Jan.)
Center on Contemporary Art, Seattle; Nirvana: Capitalism and the Comsumed Image, (11 Oct.- 7 Dec.)
The Geffen Contemporary at MOCA, Los Angeles, CA; Just Past: The Contemporary in the Permanent Collection,
1975-96, (28 Sept.-7 Jan.)
MOCA, Los Angeles; Manís World: Selections from the Permanent Collection, curated by Russell Ferguson (28 Aug.-13 Oct.)
Long Beach Museum of Art, Long Beach, CA; California Focus (14 July-3 Nov.)
Center on Contemporary Art, Seattle; Gender, fucked, curated by Harmony Hammond and Catherine Lord (cat. 28 June- 23 Aug.)
White Columns, New York, NY; What I Did on My Summer Vacation (13 Sept. - 20 Oct.)
Galerie Rodolphe Janssen, Brussels, Belgium; Ecole Régionale des Beaux-Arts de Tours, Tours, France; Tableaux
de la Vie Moderne / Pictures of Modern Life, curated by Robert Nickas (cat.)
Renaissance Society, University of Chicago, Chicago, IL; Desire, curated by Suzanne Ghez
Galerie Bela Jarzyk, Cologne, Gemany; Piggybackback (26 Apr.-30 June)
Galerie Jennifer Flay, Paris, France; Passage L'Acte
Museum of Contemporary Art, Miami, FL; Defining the Nineties: Consensus - Making in New York, Miami, and Los Angeles, curated by Bonnie Clearwater (cat.)
Konstmuseet, Malmo, Sweden; Campo 95, curated by Francesco Bonami
U. C. L. A. at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA; Sexual Politics: Judy
Chicago's Dinner Party in Feminist Art History, curated by Amelia Jones
Groninger Museum, Groningen, The Netherlands; Black and Blue, curated by Marc Wilson
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY ( 27 Jan.-26 March ) , travels to Nexus
Contemporary Art Center, Atlanta, Georgia (12 April-1 June), Art Gallery of Windsor, Windsor, Ontario, Canada (June
21-9 Sept.), Illingworth Kerr Art Gallery of the Alberta College of Art & Design, Calgary, Alberta, Canada (4 Nov.-28
Nov.); Transformers: The Art of Multiphrenia, curated by Ralph Rugoff (cat.)
Center for Creative Photography, the University of Arizona, Tucson; Recent Aquisitions, 1992-1996
Santa Monica Museum of Art, Santa Monica, CA (10 Dec. - 26 Feb. 1996); Site, Santa Fe, NM 1996 (13 Sept. - 2 Nov.); A Glimpse of the Norton Collection as Revealed by Kim Dingle, curated by Kim Dingle
Decker Galleries, Maryland Institute College of Art, Baltimore, Maryland; Transformers: The Art of Multiphrenia, curated by Ralph Rugoff (cat.)
Janice Guy, New York, NY; Portraits
Victoria Miro Gallery, London, England; Images of Masculinity
Whitney Museum of American Art, New York, NY; 1995 Whitney Biennial, curated by Klaus Kertess (cat.)
University Art Museum at Berkeley, Berkeley, CA; In a Different Light, curated by Lawrence Rinder (cat.)
Toronto Photographers Workshop, Toronto, Canada; Fabrications: Hamish Buchanan, Catherine Opie, David
Rasmus, curated by Kim Fullerton (cat.)
University of California, Irvine, CA; Pervert, curated by Catherine Lord
Corderie, Venice, Italy; Campo, curated by Francesco Bonami
Los Angeles County Museum of Art, Los Angeles, CA; P. L. A. N.: Photography Los Angeles Now
Musée d'Art Moderne de la Ville de Paris, Paris, France; La Belle et La Bte: Un Choix de Jeunes Artistes Américains, curated by Lynn Gumpert (cat.)
Musée national d'art moderne, Centre Georges Pompidou, Paris, France; Féminin-Masculin: The Sex of Art, curated by Marie-Laure Bernadac and Bernard Marcade
Angles Gallery, Santa Monica, CA; Presence: Recent Portraits
Margo Leavin Gallery, Los Angeles, CA; In the Field: Landscape in Recent Photography
Marc Jancou Gallery, London, England; Little House on the Prairie
Museum of Modern Art at Heide, Melbourne, Australia; Persona Cognita, curated by Juliana Engberg
Centro Cultural / Arte Contemporaneo, Mexico City, Mexico; Selections from the Permanent Collection of Photography
Transformers: The Art of Multiphrenia, travelling exhibition, curated by Ralph Rugoff (cat.)
Kunstverein Munchen, Munich, Germany (traveling to Kunstraum, Vienna, Austria); Oh boy, it's a girl, curated by Astrid Wege (titled from a 1970's William Wegman drawing) (cat.)
University of California, Irvine, CA; Faculty / Staff: New Work
Long Beach Museum of Art, Long Beach, CA; Love in the Ruins
Santa Monica Museum of Art, Santa Monica, CA; Out West and Back East: New Work in Los Angeles and New York
Regen Projects, Los Angeles, CA, Invitational 93
Arthur Roger Gallery, New Orleans, LA, Regarding Masculinity
Santa Barbara Contemporary Art Forum, Santa Barbara, CA; Back Talk, Women's Voices in the 90's, curated by Erica
Danborn and Marilu Knode
Eye Gallery, San Francisco, CA, Queerly Defined
Institute of Contemporary Art, Boston, MA, Dress Codes, curated by Bruce Ferguson, Lia Gangitano and Matthew Teitelbaum
Thread Waxing Space, New York, NY, I am the Enunciator
Fotografie Biennale Rotterdam III, Rotterdam, Netherlands; Wasteland, curated by Bas Vroges
Santa Monica Museum of Art, Santa Monica, CA; Breaking Barriers
New Langton Arts, San Francisco, CA; Situation, curated by Nayland Blake and Pam Gregg
Meyers / Bloom Gallery, Los Angeles, CA; Someone or Somebody, curated by Simon Watson
L. A. C. E., Los Angeles, CA; All But the Obvious, curated by Pam Gregg
Angel Gate Cultural Center, San Pedro, CA; New Landscapes, curated by William Hipps
Southcoast Museum, Costa Mesa, CA; Young California Artists
L. A. Convention Center, Los Angeles, CA; Los Angeles Art Fair, organized by L. A. Weekly Critics' Choice
L. A. C. E., Los Angeles, CA; Five Women Artists, curated by Tony Greene
Guggenheim Gallery, Orange County, CA
Camerawork Gallery, San Francisco, CA
Albright-Knox Art Gallery, Buffalo, NY
Bank of America, San Francisco, CA
Centro Cultural Arte Contemporaneo, Mexico City, Mexico
Groninger Museum, Groninger, Holland
The Israel Museum, Jerusalem, Israel
Linc Group, Chicago, IL
Los Angeles County Museum of Art, Los Angeles, CA
Metropolitan Savings Bank, Mayfield Heights, OH
Museum of Contemporary Art, Los Angeles, CA
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Montreal, Canada
Museum of Modern Art, New York, NY
Museum of Modern Art, San Francisco, CA
Orange County Museum of Art, Newport Beach, CA
The Prudential, Newark, NJ
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York, NY
Bibliography: Books & Exhibition catalogues
Catalogue, Dark Places, Santa Monica Museum of Art, Santa Monica, 2006
Kunitz, Daniel, “The Universal Canvas,” The New York Sun, January 19, 2006.
Kunitz, Daniel, “Publisher’s Catalogue,” ArtReview, Nov/Dec 2005, pp.126-131.
Catalogue, “Frieze Art Fair Yearbook 2005-06”, Frieze Art Fair, London, 2005
Catalogue, 26th Sao Paulo Biennial, curated by Alfons Hug, Sao Paulo, Brazil, pp. 180 181, ill.
Sheets, Hilarie M., “Armand Hammer’s Orphan Museum Turns Into Cinderella in Los Angeles,” The New York Times, October 6, 2004, pp. B1 & B9
Boriani, Glenda, “Micropolitics,” Tema Celeste, issue 96, March/April, 2003, p. 113, ill.
Catalogue, Art and Photography, published by Phaidon, London, England, p. 124
Monograph, Catherine Opie: Skyways + Icehouses, essay by Douglas Fogle, published by the Walker Art Center, Minneapolis, MN, ills.
Muchnic, Suzanne, “With all its hang-ups, the L.A. gallery scene thrives,” Los Angeles Times, November 24, 2002
Pinsent, Richard, “Adroitly controlled mise-en-scene at Entwistle,” The Art Newspape, December 2001, p.67, ill.
Catalogue, Open City: Street Photographs since 1950, published by Museum of Modern Art Oxford, pp. 18, 168-173, ills. , cover
Catalogue, Auto Werke, published by Hatje Cantz, with support by BMW Financial Services North America, essay by Joshua Decter, essay pp. 5-6, ills.
“Family Business,” Flash Art, November-December 2000,pp. 48, ill.
Gockel, Cornelia, “Kunst aus Kalifornien,” Suddeutsche Zeitung, December 13, 1999, p. 38, ill.
Catalogue, The Modernist Document/Le Document Moderniste, edited by Nancy Shaw, published by Leonard & Bina Ellen Art Gallery, Concordia University and The Canada Council for the Arts
Borzello, Frances. Seeing Ourselves: Women's Self-Portraits, book, Thames and Hudson, London; 224 pgs, ISBN: 0-500-01836-7
ODell, Kathy. Contract with the Skin: Masochism Performance Art and the 1970s, University of Minnesota press, Minneapolis, Minnesota, pp.80, 83 and 109n36, ill.
Edwards, Susan H. The Edge of Night: Urban Landscape Photography, exhib. catalogue, Hunter College
Janus, Elizabeth & Lambert, Marion. Veronicaís Revenge; Contemporary Perspectives on Photography, exhib. catalogue LAC, Switzerland, Scalo, ill.
Melo, Alexandre. Lost Paradise: Catherine Opie, Joachim Koester, Ellen Cantor, exhib. catalogue, Presenca Galeria, Porto Portugal, ill.
van Nieuwenhuyzen, M. Coelewij, Leontine & Visser, Hripsime. From the Corner of the Eye, exhib. catalogue, Stedelijk Museum, Amsterdam, The Netherlands, ill.
Bonami, Francesco. L.A. Times: Arte da Los Angeles nella Collezione Re Rebaudengo Sandretto, exhib. catalogue,
Fondazione Sandretto Re Rebaudengo per LArte, Torino, Italy, ill.
Miller, Susan. New Langton Arts, New Langton Arts, pp. 155, ill. cover ill.
unsigned. Artenergie: Art in Jeans, Edizioni Charta, Milano, pp. 104-5, ill.
unsigned. Current exhibition: Sunshine & Noir: Art in L.A. 1960-1997, exhib. catalogue, UCLA at the Armand Hammer
Museum of Art and Cultural Center Cultural Programs Calendar, Fall, ill.
unsigned. Deceits and Fantasies: The Garden in Contemporary Photography, exhib. catalogue, The American
Federation of Arts: Exhibitions Program 1998, p. 39
unsigned. American Vernacular: Selections from the Permanent Collection, exhib. catalogue, the Contemporary, Spring, p.3
Smith, Elizabeth A.T. & Dartnall, Colette. Catherine Opie, exhib. catalogue, The Museum of Contemporary Art, Los Angeles; 56 pgs, ill., ISBN:0-914357-53-0
Lahs-Gonzales, Olivia. Defining Eye: Women Photographers of the Twentieth Century, exhib. Lippard, Lucy. catalogue, The Saint Louis Art Museum, Saint Louis, MO
Decter, Joshua. a/drift, exhib. catalogue, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, ill.
Sobel, Dean. Identity Crisis; Self-Portraiture at the End of the Century, exhib. catalogue, Milwaukee Art Museum, Milwaukee, WI, ill.
Torres, Jose A. Perdice. Cruising L.A., exhib. catalogue, Galeria Soledad Lorenzo, Madrid, Spain, ill.
Nittve, Lars & Crenzien, Helle. Sunshine & Noir: Art in L.A. 1960-1997, exhib. catalogue, Louisiana Museum of Modern Art, Humlebaek, Denmark, ill.
Blessing, Jennifer & the Guggenheim. Rrose is a Rrose is a Rrose; Gender Performance in Photography, exhib. catalogue, New York, NY, ill. Abrams, Harry N, Inc. New, New York, NY unsigned. American Art 1975-1995 from the Whitney Museum: Multiple Identity, exhib. catalogue, Castello di Rivoli,
Museo dArte Contemporanea, Edizioni Charta, Milano, Italy
unsigned. Catherine Opie: Focus Series Exhibition, The Contemporary, Museum of Contemporary Art, Los Angeles, fall, p.11, ill.
Lyttelton, Celia. The Now Art Book, book published by Shiseido and Korinsha Press & Co., Ltd., Tokyo; 195 pgs.
ISBN:4-7713-0229-4 Catherine Opie (pp.110-111)
Opie, Catherine. Dyke Deck by Cathy Opie, Museum of Contemporary Art: Los Angeles (deck of playing cards with
insert & portraits by Catherine Opie)
Wakefield, Neville. Fashion Now! Fashion Photography of the Nineties, Scalo Publishers: Nickerson, Camilla; New
York, NY (book)
Snyder, Jill. In the Flesh, exhib. catalogue, The Aldrich Museum of Contemporary Art, p.22; ill.
Chadwick, Whitney. Women, Art, and Society, book, revised and expanded second edition,
published by Thames and Hudson, Ltd., London, p.391, 396, ill.
Clearwater, Bonnie. Defining the Nineties: Consensus-making in New York, exhib. catalogue Miami, and Los Angeles,
Museum of Contemporary Art, Miami, ill.
Drucker, Johanna. Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, exhib.
catalogue, Whitney Museum of American Art, NY, p.19, ill.
Jones, Amelia. Sexual Politics, exhib. catalogue, UCLA at the Armand Hammer Museum of Art and Cultural Center,
pp. 35, 225, 261 + p. 224, ill.
unsigned. Persona, exhib. catalogue, The Renaissance Society at the University of Chicago and Kunsthalle Basel,
Berger, Maurice, Wallis, Brian & Watson, Simon. Constructing Masculinity, book, Rutledge, NY, p.43, ill.
Gumpert, Lynn. La Belle et La BÍte, MusÈe d'Art Moderne de la Ville de Paris: Paris, France (exhibition catalogue in
French & English)
Fullerton, Kim. Fabrications, exhib. catalogue, Toronto Photographer's Workshop, Toronto, Canada, ill.
Lord, Catherine. Pervert, The Art Gallery, University of California, Irvine, CA exh. catalogue, ill.
unsigned. Feminin Masculin: le sexe dans líart, exhib. catalogue, Centre Georges Pompidou, Gallimard/Electra, Paris,
Kertess, Klaus. 1995 Biennal Exhibition, exhib. catalogue, Whitney Museum of American Art and Harry N. Abrams,
New York, ill.
Blake, Nayland. In a Different Light, exhib. catalogue, City Lights Books, San Francisco, Rinder, Lawrence. CA; ill.
Neumaier, Diane. Reframings: New American Feminist Photographies, Temple University Press, Philadelphia, PA, ill.
Gamblin, Noriko. Love In Ruins: Art and the Inspiration of L.A., exhib. catalogue, Long Beach Museum, ill.
Engberg, Juliana. Persona Cognita, exhib. catalogue, Museum of Modern Art at Heide, Melbourne, also texts by Deb
Verhoeven, Linda Williams, Margaret Morgan, ill.
Rugoff, Ralph. Transformers, exhib. catalogue, Independent Curators Incorporated, New York, ill.
Wege, Astrid. Oh boy, itís a girl! Feminismen in der Kunst, exhib. catalogue, Kunstverein, Munchen, essay "Verstreute
Notizen" by Judith fischer/Uta Laib, pp.80-86, ill.
Lippard, Lucy. Back Talk: Womens Voices in the 90s, exhib. catalogue, Santa Barbara, California.
Vroege, Bas. Wasteland, exhib. catalogue, Rotterdam, the Netherlands.
Meyer, Richard. Situation, exhib. catalogue, Exceeding the Frame: recent production by
lesbian and gay artists.
(Features, Projects, Interviews, Editorials, Reviews)
Cotter, Holland. The New York Times Magazine, Through Womens Eyes, Finally, Sunday, 16 May, p.92-96 (special
issue: The Shadow Story of the Millennium: Women)
Picker, Deborah. L. A. Weekly, Tall Tales: Catherine Opie Looks on Lesbian Domesticity, 14-20 May, p.35
Pagel, David. Los Angeles Times, A New View of Life on the Home Front, 23 April, p.F28 (review)
Aletti, Vince. Out, Lesbian Domestics, April, p.16, 32-33 (preview)
Rowlands, Penelope. Art & Auction, Previews: Catherine Opie, 15 April, p.75, ill. (preview)
Rawsthorn, Alice. British Vogue, L. A. Story, April, pp.88-93, ills. (review: South London)
Zeiger, Mimi. Loud Paper, Catherine Opie, Spring, p.14-17 (profile)
Sante, Luc.& Steiner, Amy. Metropolis, The Secret of the Man Made World, April, pp.88-91 (photo suite by Catherine
Muchnic, Suzanne. ARTnews, L.A. Story, September 1998, pp.150-153, ills.
Zeiger, Mimi. Loud Paper, Casualfornia/ Catherine Opie, vol.2, issue 3, pp.14-17, ills (cover)
Yablonsky, Linda. Time Out New York, Berlin Sprawl, November 5-12, pp.74
Pinto, Antonip Cerveira. A Semana (Portugal), A Suspensao da Utopia, Oct.9, Exposicoes, p.11, ill.
Faria, Oscar. Publico (Portugal), Dialogo Entre o Ceu e o Inferno, Oct.9, Artes & Ocios, p.19, ill.
Zimmer, William. The New York Times, Landscape, the Site, The Meaning of Place, Aug.9, p.12 CT
Rian, Jeff. Flash Art, Sunshine & Noir and L.A. Times, October, pp.61,67, ill.
Ollman, Leah. The Los Angeles Times, A Multi-Sided Look at ìLone Womanî, Oct. 2, F29
Ise, Claudine. The Los Angeles Times, Babesí Aims to Demystify Expectations of Women, July 24, F33
unknown. BT Magazine, Catherine Opie, September, pp.56-57,85, ill.
Rickels, Laurence A. Parallax, Already Given at the Office: On Techno Feminism, Issue 5, September
Glueck, Grace. The New York Times, Catherine Opie: Mini malls, April 3, 1998, B33
Muchnic, Suzanne. ARTnews, Acquisition and Merger, Summer, p.74
Allen, Rachel. Los Angeles Forum for Architecture & Urban Design Newsletter, Late Spring, p.2-3, ill.
unknown. Village Voice, Art: Catherine Opie, April 21
Schmerler, Sarah. Time Out New York, Catherine Opie, ìMini-mallsî, April 16-23, Issue no. 134, p.48, ill.
Nittve, Lars. Merian, Kunst L.A., pp.30-7, ill.
Kaltenecker, Siegfried. Springerin, Schwindelnde Manner?, March-May, pp.46-7, ill.
Hagoort, Erik. de Volkskrant, Catherine Opie geeft homoís waardig portret, Zaterdag Feb. 21, p.11, ill.
Verkerk, Corrie. Het Parool, Gay Games meer dan spierkracht, Dongerdag Feb. 19, pp. 1 & 4, ill.
Zellen, Jody. Art Papers, Catherine Opie, May-June, p30 (review: M.o.C.A.)
multiple quotes Art Papers, '90's to the Nines: Short Reports on New Trends, May-June, pp.12-17 (illustration)
Opie, Catherine. Borderlines, Dyke Deck, issue no.46, pp.32-33 (illustration)
Myers, Terry R. On Paper, Catherine Opie, Jan.-Feb., pp.41-42 (review: M.o.C.A.)
Goff, Robert. Forbes, Culture comes to Hollywood, 1 Dec., p.344-345 (editorial)
Gragg, Randy. Sunday Oregonian, A Letter from L. A., Dec. 21, pp. 1&8, ill.
unsigned. Art - Das Kunstmagazin (Hamburg), Momentaufnahme: Szene Los Angeles, Dec., p.30-41 (editorial)
Newman, Joe. Photo District News, Hitting the High Roads: Catherine Opie, December, p.177, ill.
Bonazzi, Francesco. Juliet, Trash, Trieste, Italy, Dec./Jan. 1998
Nilsson, Hakan. Flash Art, Art Review: Sunshine and Noir, Louisiana, Humlebaek, Denmark, Nov./Dec., p.74
Helfand, Glen. Bay Area Reporter, Of heaven and earth: Shows by Robert Gober and Catherine Opie, Oct. 23, p.45
& 54, ill.
Gottschalk, Karl-Peter. blue, Catherine Opie: Masterful, October, p.6, ill.
unknown. Art in America, Artworlds: Awards, November, p.144
Pioselli, Alessandra. Segno, Trash: Quando I Rifiuti Diventano Arte, Pescara, Italy, Nov./Dec.
unknown. The New York Times Magazine, Wizards, Wonders, and Wonks, color illustrations photographed by
Catherine Opie, Sept. 28
Knight, Christopher. Los Angeles Times - Calendar, Edge-Cities, Minus the Edge, 9 Oct. (review:M.o.C.A.)
Lewis, Judith. L. A. Weekly, Concrete Love: Photographer Catherine Opie brings L.A. to M.o.C.A. (also titled:
Freeways, Mini-malls and Leather Dykes, Catherine Opie Loves L.A., 3-9 Oct., pp.22-27+cover (feature/review:
Knight, Christopher. Los Angeles Times, Itinerary Fall Follies: Art, Sept. 4
Nadotti, Maria. L'Unita, E al posto del pennello spunto la spazzatura Viaggio nel tempo, all'alba del ìtrashî, Rome,
Vergine, Lea. Vernissage, Trash: Noi gettiamo via le nostre tracce,k l'arte ne suggerisce il destino, Torino, Italy,
Huici, Fernando. El Pais, Delicias Del Microondas, Madrid, Spain, July 12
Nomblot, Javier Rubio. El Punto de Las Artes (Madrid), Cruising L.A.: el mundo fuera de la burbuja, 4-17 July (review:
Gal. Soledad Lorenzo)
Parreno, Jose Maria. ABC (Madrid), Los Angeles, Punto de Encuentro, 4 July (review: Gal. Soledad Lorenzo)
Mora, M. El Pais (Madrid), El atre crudo de seis chicos malos' de Los Angeles se muestra en Madrid, 1 July (review:
Gal. Soledad Lorenzo)
unknown. Rifiuti Solidi, Trash, Milan, Italy, July/August, p.216
Larsen, Larrs Bang. Frieze, Sunshine & Noir: Art in L.A. 1960-1997, Sept/Oct., p.93
Jernigan, Adam. Masque, Fragmented Bodyscapes: An Excursion in the Photography of Catherine Opie, vol.1, Issue
2, pp.43-49, ill.
Mizoguchi, Akiko. BTMagazine, Catherine Opie: Sexuality and Gender, June, pp.18-27, ill.
Barnatan, Marcos R. El Mundo (Madrid), La mirada despotica: Un viaje pos las autopistas de Los Angeles, 28 June
(review: Gal. Soledad Lorenzo)
Ericsson, Lars O. Dagens Nyhoter, Ljus och svarta fran L.A., May 23, ill.
Jonsson, Dan. Sydsvenska Dagbladet, LA: s obarmhartiga ljus, May 21
unknown. Arbetet Nyheterna, Konsten och varldsstadens sjal, May 18
Ohman, Richard. Norvastra Skanes Tidningar, Konstscen Los Angeles, May 18, ill.
Weirup, Torben. Berlingske Tidende, Lysende spor, May 17
Goodeve,Thyrza Nichols. Artforum, Signs of the Times, May. pp.25-26 (response to Q&A)
Walsh, Daniella B. The Orange County Register, Another perspective on the face, April 27
Curtis, Cathy. Los Angeles Times, Something to Smile About, April 22, F3-F5
unknown. Buzz Weekly, Art: Composite Persona, April 27
Trebay, Guy. The Village Voice, Dialogue of the Biennalites, April 1, pp.50-1
Rugoff, Ralph. Harperís Bazaar, L.A.ís Female Art Explosion, April, pp.204-5,246,ill.
unknown. Shigoto No Kyoshitsu, Catherine Opie: Houses and Landscapes, Tokyo, Japan, April, p.117, ill.
unknown. Nihon Keizai Shinbun, Catherine Opie: Houses and Landscapes, Tokyo, Japan, March 15, p.40, ill.
Pincus, Robert L. The San Diego Union Tribune, Fabricated faces are sign of times in art today, March 10, p.E-5
unknown. La Seine, Catherine Opie: Houses and Lanscapes, Tokyo, Japan, March, ill.
unknown. Flash Art, Rrose Selavy, A Point of Departure, March, p.61
unknown. Studio Voice Multi-Media Magazine, Voices Art Space: L.A. Portraits Houses and Landscapes, Japan,
March, pp.75-78, ill.
unknown. Hanatsubaki, Sub-Culture is Super-Culture, Shiseido, Tokyo, March, ill.
unknown. Marie-Claire Japon, Catherine Opie: Houses and Landscapes, Tokyo, Japan, March, p.185, ill.
unknown. Check Mate, Catherine Opie at Shiseido, Tokyo, Japan, March, p.209, ill.
Conti, Rena &
Moskowitz, Ivan. L.A. Muscle, The Salad Years, Milwaukee, WI,Feb/March, p.19
Yadegaran, Jessica. The Daily Aztec, Skewed perceptions, Feb.6, p.7, ill.
unknown. BT Magazine, Mike Kelley and L.A. Art Scene, Tokyo, Japan, February,
pp.51, 74, ill.
unknown. An An, Catherine Opie: Houses and Landscapes at Sheseido, Tokyo,
Japan, February, p.138, ill.
unknown. Tokyo Walker, Catherine Opie: Houses and Landscapes, Tokyo, Japan,
Feb. 19-25, p.119, ill.
unknown. Weekly Pia, Catherine Opie, Tokyo, Japan, Feb. 25, p.206, ill.
Rimanelli, David. ArtForum, A/Drift: Bard College, Feb., p.83
Pare, Andre-L. etc Montreal, Actualites/Expositions, January-February, pp.44-47, ill.
Joselit, David. Art in America, Identity Politics: Exhibiting Gender, January, pp.36-39, ill.
Bellinger, Jesse Daily Nexus, Would I Lie to You? A look at the UAM Lie of the Land
exhibit, Santa Barbara, January 16, p.2A
Gustafson, Paula. Xtra West, Fabrications, Jan. 10
unknown. The Independent, Impact: The Lie of the Land, Santa Barbara, Jan. 9, p.29, 41
Opie, Catherine. The Guardian, A Brush with genius: Catherine Opie on Hans Holbein the Younger's portrait of Sir
Thomas More, London, Jan. 7
Opie, Catherine. L.A. Weekly, Faces of L.A.: Lari Pittman, Jan. 3-9, p. 49, ill.
Williams, Gilda. Art Monthly (London), Evident / The Photographers' Gallery, Dec.
Curtis, Cathy Orange County Calendar, Art Outlook Includes Insights From All Angles, Dec. 31, F2, ill.
Beard, Steve. Arena (London), Evident, December, ill.
Smith, Caroline. Attitude (London), Visual Arts: Pick of the Bunch, December
Craddock, Sacha. The Times (London), Around the Galleries, Nov. 27
Smith, Roberta. The New York Times, Finding Art in the artifacts of the Masses, 1 Dec., p.H-43 (review: Bard group
Cross, Andrew. Great: The Magazine of the Photographers' Gallery, London, Evident, Nov./Dec., issue #9, p.6-7, ill.
Trebay, Guy. Artforum, Real Life Rock - Top Ten, Oct., p.30, ill.
unsigned. Wiener, Drag Kings, Sept., Issue #196, pp.60-61, ill.
Volk, Gregory. Art in America, Catherine Opie / Jay Gorney Modern Art, Oct., pp.118-119, ill.
Snow, Shauna Los Angeles Times, Morning Report: Talking on Lesbian Stereotypes, Oct. 23, p.F2
Decter, Joshua. Artforum, Catherine Opie / Jay Gorney Modern Art, Sept., p.109-110, ill.
Hill, Darryl. Blackflash, Deconstructiong Gender Dualism through Transgender Photography, Fall, vol.14.3, pp.9-12, ill.
Couelle, Jennifer. CV photo, Fabrications, Summer, p.31
Dannatt, Adrian. Flash Art, May/June 1996, pp.113-114, ill.
Atlas, James. The New York Times, The Age of The Literary Memoir Is Now, May 12, photograph of Lisa Michaels by
Catherine Opie, p.29
Camus, Renaud. Frieze, June / July, pp.52-57 (illus. for fiction, introduction by Bruce Hainley)
Michaels, Lisa. The New York Times Magazine, Flower Childhood, 12 May, p.27-31 (portrait by Catherine Opie)
Kandel, Susan. Los Angeles Times, Catherine Opie / Regen Projects, 3 May, p.F-22
Ferguson, Russell. Index, Catherine Opie with Russell Ferguson (interview), Apr., p.28-31, ill.
Catchlove, Lucinda. Hour, Identity is a Drag, April 25-May 1
Aquin, Stephane. Voir, Masculin feminin, April 17, p.11
Couelle, Jennifer. Le Devoir, Dis-moi ton sexe, je te dirai qui tu es...., April, ill.
Byrd, Cathy. CL, Arts & Entertainment, Mighty Morphin: ìTransformersî at Nexus, April 13, pp. cover, 28, 30, 34
Roth, Charlene. Artweek, The Light Under the Bushel, April, pp.12-13, ill.
Boschma, Feike. Fries Dagblad, Beelden der objectiviteit, March 29
Artner, Alan G. The Chicago Tribune, Persona non grata, March 17, Section 7, p.3, ill.
Thijsen, Mirelle. Het Financieele Dagblad, Intimi en zelfkant van bestaan in "Black & Blue", March 16, ill.
Kimmelman, Michael. The New York Times, Catherine Opie / Jay Gorney Modern Art, 15 March, p.C-27, ill.
Marsman, Eddie. Leeuwarder Courant, Wat op elkaar lijkt is nog niet hetzelfde, Maarch 15, ill.
Griffin, Tim. Time Out / New York, Catherine Opie / Jay Gorney Modern Art, 13-20 March, p.26, ill.
Servetar, Stuart. New York Press, Catherine Opie / Jay Gorney Modern Art, 13-19 March, p.68
Aletti, Vince. The Village Voice, Deep House, review: Opie at J.G.M.A., 19 March, p.79
unsigned. The New Yorker, LA - LA Land, review: Opie at J.G.M.A., 18 March, p.26
Chayat, Sherry. Syracuse Herald American, Cornell show exhibits multiple personalities, March 10, pp.11-12
Rijsdam, Jan. Leids Dagblad, Schone Schijn: Hollandse toestanden, March 9, ill.
Hurlburt, Roger. Sun-Sentinel, MoCA LOCA, Miami, Florida
Tilroe, Anna. NRC Handelsblad, De shoenendoos van de meloenenvrouw, March 3, ill
Bos, Eric. Brabants Nieuwsblad, Onschuld is verleden tijd, March 1, ill.
Judong, Anne & Peeters, Wim. Gynakika, Catherine Opie, March 1
unknown. Gay Krant, Black en Blue:aspecten van de samenleving in foto's, March 1
unknown. Koevoeter Courant, Whoís afraid of ìBlack & Blueî, Feb. 26
Snoodijk, Martijn. Oor, Ontluisterent, February 24, ill.
Lakke, Gerard. UK, Black and Blue toont het rauwe bestaan, Feb. 22, p.19
Turner, Elisa. The Miami Herald, Thoroughly Modern MoCA, Feb. 18, pp.51, ill.
Artner, Alan. Chicago Tribune, Art, Feb. 16, Section 7, p.56
Opie, Catherine. Provocateur, Catherine Opie, portfolio: portraits, Feb., vol.1, issue 3, pp.30-38; ill.
Keunen, Mirjam Algemeen Dagblad, Fotoís zoals het leven zelf, Feb. 15
Bos, Eric. Leids Dagblad, Beelden uit een kapotte wereld, Feb. 13, ill.
Bos, Eric. Provinciale Zeeuwse Courant, Feb. 9, ill.
unknown. Loeks, Wie is er nog bang voor Black & Blue?, Feb. 6, ill.
Weinstein, Michael. New City, review, Feb. 5
De Vries, Marina. Het Parool, Acht keer het Amerikaanse alternatief, Feb. 5, ill.
Bos, Eric. Nieuwsblad van Het Noorden, Indringende beelden van een verloren en beschadigde wereld, Feb. 3
unknown. Groninger Dagblad e.a., Een spiegel van de tijdgeest, Feb. 2, p. AE 15, ill.
Ruyters, Marc. Weekend Knack, Expo. Freeways, Jan.31, p.72, ill.
Eelbode, Erik. De Witte Raaf, Catherine Opie, #59, January-February, p.31
unknown. Flash Art, Miami Defines the Nineties, January-February
DHoore, Sylvie. De Gentenaar, Lege snelwege, Jan. 26, ill.
Eelbode, Erik. De Morgen, Desolate snelwegen, haarscherpe studiofotos. Niet risicoloos spel van de Americkaanse
fotografe Catherine Opie, Jan. 13, ill.
unknown. Obscuur, VREEMd-MAKEN, Jan. 4, pp.16-17, ill.
Kent, Sarah. Time Out / London, Images of Masculinity, review, 10-17 Jan., ill.
Unknown. L.A. Weekly, Portraits of L.A. ë95 issue, Dec. 29-Jan. 4, 1996, p.25
unsigned. Beaux Arts Magazine, Une Version Americaine de La Belle et la Bte, Nov. (preview: ill.)
unsigned. Art Press (Paris), La Belle et La Bte, p.72
Smith, Cherry. Folha de Sao Paulo, Eu estava presa em um corpo de sapatao, 12 July
Archer, Bert. Xtra!, Bending gender-bending, 26 May, p. 33 (review of Fabrications)
Livingstone, David. Globe and Mail, RuPaul: dragging theory into practice, May 18
Lee, Robert W.G. Parachute, Fabrications, Vol. 84, p.65
Kandel, Susan. Los Angeles Times Calendar, A Biennale or a Bust?, 25 June, pp. 7, 92
Selwyn, Marc. Flash Art, Report from Los Angeles, May / June, pp. 96-99, ill. (also ill. on contents page)
Helfand, Glen. Wilde, On a Bender, May / June, pp. 21,22, ill.
Hoving, Thomas. Cigar Aficionado, Art for the Ages, Summer, pp. 214-226
Haye, Christian. Frieze, Catherine Opie at Jack Hanley, March/Apr., pp. 71-72; ill.
unsigned. Out Magazine, Opie and Company, May, p. 58; ill.
Kertess, Klaus. 1995 Biennial Exhibition, exhib. catalogue, Whitney Museum of American Art and Harry N. Abrams,
New York, ill.
Knight, Christopher. Los Angeles Times Calendar, Toning It Down at the Whitney, 16 Apr., pp. 5, 54
Cotter, Holland. New York Times, Catherine Opie, 14 Apr., p. C4 (review at Gavin Brown)
Smith, Roberta. New York Times, Void, Self, Drag, Utopia (and 5 Other Gay Themes), 26 March, p. 40, ill.
Kimmelman, Michael. New York Times, A Whitney Biennial That's Generous, Sensuous, and Quirky, 24 March, pp.
Solomon, Deborah. The Wall Street Journal, All Persuasions, No Whiners, 24 March, p. A10
Goldberger, Paul. New York Times Magazine, The Art of His Choosing, Sunday, 26 Feb., pp. 30-39, 52, 55, 61-62, ill.
Clabburn, Anna. World Art, Persona Cognita, Jan., p. 108, ill. (review)
Knight, Christopher. Design Quarterly 162, Big Burb, Fall, pp. 1-12, ill.
Bonetti, David. San Francisco Examiner, 3 Singular Visions, Thursday, 1 Dec.
Burana, Lily. Dagger on Butch Women, Cleis Press, pp. 157, 161, ill.
Anderson, Michael. Art Issues, Invitational 93, review, Jan./Feb., p. 43
Knight, Christoper. Los Angeles Times, A Bicoastal Flashback, 18 Feb., pp. F1, F28
Goldberger, Paul. New York Times Magazine, The Art of His Choosing, Sunday, Feb. 26, pp.30-39, 52, 55, 61-62, ill.
Knight, Christoper. Los Angeles Times, A Suggestion of Cultural Edginess, 10 Mar., pp. F1, F11, ill.
Engberg, Juliana. Persona Cognita, exhib. catalogue, Museum of Modern Art at Heide, Melbourne, Australia,
Rugoff, Ralph. Transformers, exhib. catalogue, Independent Curators Incorporated, New York
Saltz, Jerry. Art & Auction, L.A. Rising, Apr., pp. 88-91, 122, ill.
Bonetti, David. San Francisco Examiner, Gallery Watch: Give em that ol' tired religion, 15 Apr., pp. D10, 11, ill.
Kandel, Susan. Los Angeles Times, A Piercing Look: at Regen Projects, 9 June, p. F11, ill. (rev)
Rugoff, Ralph. L.A. Weekly, Alter Natures, 24-30 June, p. F7, ill.
McKenna, Kristine. Los Angeles Times Calendar, Welcome to Opie's World, 24 June, pp. 8, 90, ill.
Smith, Roberta. Vogue, Body of Evidence, Aug., pp. 150-154, ill.
Zellen, Jody. Art + Text, Catherine Opie, Sept. (#49), pp. 85-86, ill (review)
Pagel, David. Art Issues, Sept. / Oct., p. 45, cover and ill. (review)
Kotz, Liz. Art Papers, Erotics of the Image, Nov. / Dec., pp. 16-21, ill.
DeGenevieve, Barbara. Camerawork: A Journal of Photographic Arts, Letting Us Look: Scandalous Genders, or Blur
Baby Blur, Fall / Winter, pp. 46-47, ill.
Schmidt, Barbara U. Frauen Kunst Wissenschaft, Jenseits polarer Differenzen, Herbst
Schmidt, Barbara U. Kritk, When Gender Attitudes Attack the Norm, Heft, No. 3
Goetz, Joachim. Landshuter Zeitung, Auf dem Weg, Zum Klon, Di, 9/8
Fischer, Judith. Oh, boy, it's a girl! Feminism in der Kunst, Verstreute Notizen, exhib.
Laib, Uta. catalogue essay, Kunstverein Munchen, pp. 80-86, ill
Cohen, Michael. Flash Art, Catherine Opie, Nov. / Dec. p.98, ill (review at Regen)
Relyea, Lane. Artforum, Best & Worst 1994, Dec., pp. 69, 105
Trioli, Virginia. The Age (Melbourne, Australia), Daddy looks nice in a dress, 8 Oct., p.11, ill. (review of Persona
Chandler, Matthew. Doncaster and Templstowe News (Australia), Artists question self-identity, 14 Sept.
Sierra-Hughes, Marie. Herald Sun--Melbourne, Many sides of self on show, 19 Oct.
Koslow-Miller. Francine, Artforum, Currents 93: Dress Codes, Nov., pp. 110-111
Lippard, Lucy. Women's Art Magazine, In the Flesh: Looking Back and Talking Back, Sept. / Oct., pp. 4-9
DiMichelle, David. Artweek, Fresh Work: Invitational 93 at Regen Projects, 4 Nov., p. 22
Lord, Catherine. Art + Text, Down There: Babes in Toyland, Sept. (#46), pp. 30-33, ill.
Kandel, Susan. Los Angeles Times, Invitational's Controlling Personas, 14 Oct., p. F12, ill.
Darling, Michael. Santa Barbara News-Press, Voices Carry, pp. 29-30, ill.
Lippard, Lucy. Back Talk: Women's Voices in the 90's, exhib. catalogue, Santa Barbara Contemporary Art Forum,
Santa Barbara, CA
Rugoff, Ralph. Frieze, Three projects from L.A. Curated for frieze by Ralph Rugoff, March, pp. 18-21, ill.
Ternin, Christine. Boston Globe, 10 March, Vol. 243, No. 10, (review at ICA)
McQuaid, Cate. The Boston Phoenix, His & Hers: In the ICA's Dress Codes, 12 March (review)
Sherman, Mary. Boston Herald, Clothes Call, 12 March (review at ICA)
Vroege, Bas. Wasteland, exhibition catalogue, Fotografie Biennale Rotterdam III
Kotz, Liz. Artforum, The Body You Want: Liz Kotz Interviews Judith Butler, Nov., p. 83, ill.
unsigned. Framework, Violence issue, Volume 5, Nos. 2 and 3
Meyer, Richard, Situation, Exceeding the Frame: recent production by lesbian and gay artists, exhibition catalogue
Hirsch, David. New York Native, 2 Dec., Issue #450 (review at 494 Gallery)
Cottingham, Laura. NYO, 15 Dec., Issue #8, p. 37 (review at 494 Gallery)
Smith, Anna Marie. The Advocate, The Feminine gaze: Photographer Catherine Opie Documents a Lesbian
Daddy/Boy Subculture, 19 Nov., pp. 82-3, ill. (rev. 494 Gallery)
Helfand, Glen Art Issues, Sept. / Oct., Vol. 19 (review)
unsigned. Oversight (CalArts), Volume 2
Frank, Peter, L.A. Weekly, Catherine Opie: Pick of the Week
unsigned. Off Ramp (Santa Monica School of Architecture), The Master Plan, Spring
Beckman, L. Los Angeles, Lucky, Spring, Volume 2
unsigned. L.A. Weekly, Annual Critics' Choice, 15-19 Dec., Volume 11
unsigned. Revenge, Volume 1
unsigned. Inside / Out (San Francisco Art Institute)