FACE was Qcc's Inaugural Visual Arts Exhibition. It explored the queerness of self-portraiture.

Bernice Bing was a third-generation American-born Chinese from San Francisco's Chinatown. She created work which was a complex reflection of her dual heritage.

Jerome Caja offers us the redeeming grace of self knowledge, as well as the brutal, bitter humor of the survivor.

Lesbian ConneXion/s was the first large-scale traveling photo exhibition in Europe exploring the common theme of lesbian life, lesbian lifestyles and visibility.

Lenore Chinn employs a coded iconography rooted in a lesbian/gay cultural perspective, these portraits fuse an Asian aesthetic of sparseness and clarity with visual narratives that counteract the "magic-truth rituals" of racial and gender construction.

The Cockettes. An intimate look at San Francisco’s legendary gender-bending drag theater troupe.

EG: (r)Evolution of Gender tracks the influence of gender identity on artists and their work.
Currently Off-line

Spouses for Life features stories and photos from San Francisco's historic gay marriage ceremonies.

50 artists ask: What does it mean to be at War?

Hope and Healing in Times of War. We believe that artists are capable of bringing about positive social change by creating work that addresses inequities, leads to the healing of injustice and inspires hope and a belief in a better future.

City of the Future is a dual channel video installation based on Andrei Tarkovsky's 1972 Sci-Fi mystery, "Solaris." Lemcke presents a Queer re-reading of this film classic, exploring the tension between technology's endless quest for utopian ideals versus the frailty and limitations of human love.

Rudy Lemcke is a video artist who lives and works in San Francisco. His video work has been presented in venues such as Frameline (San Francisco), The Dallas Video Festival, The Mix Festival (New York), and Festival Némo (Paris).

Wonder opens horizons of possibility beyond the constraints of “nature” and “law.” It makes room for desire, for doubt, for dreams, for experimentation, for resistance, for things not known and considered unimaginable. Under the current totalitarian political regime, where options appear to close at every turn, wonder may still free the spirit and the mind to imagine and enact alternatives. This exhibition explores the territories that “wonder” may share with “queer.”

Queerness weaves the threads of our physical, social and moral existence together into a multi-dimensional fabric of community and our selves.

As queer artists we continue to create complex identities and imagine new modes of address through a myriad of queer tactics, textures and sensibilities.

What are the threads that bind, mend and sometimes unravel this spectacular fabric of queer art? How does this queerness operate? How does it present itself? How do we fashion, perform, subvert or display queerness in our art and lives?

We hope to explore these themes in art in all mediums that incorporate (in the broadest sense of these ideas): sewing, knitting, weaving, braiding, binding, knotting, textiles, quilting, patchwork, costuming, fashion and fashion events, drag, second skins, performance art, woven texts, blogs, digital networks and communities.