Curriculum Vitae
SELECTED PUBLIC COLLECTIONS
Metropolitan Museum of Art, NYC
Brooklyn Museum
Chicago Art Institute
Everson Museum, Syracuse, NY
Wadsworth Atheneum, Hartford, CT
Phoenix Art Museum
National Museum of Women in the Arts, Washington, DC
Fine Arts Museum of New Mexico, Santa Fe, NM
Roswell Museum, Roswell, NM
Tucson Museum of Art
Walker Art Center, Minneapolis, MN
Minneapolis Museum of Fine Art
Denver Art Museum
Indianapolis Museum of Fine Art
Museum of Contemporary Art, Chicago, IL
Philip Morris Co., NYC
Prudential Insurance Co., NYC
Grenoble Mills, NYC
Best Products, Inc. Richmond VA
General Mills Corp., Minneapolis, MN
Chemical Bank, NYC
Lang Communications, NYC
| SELECTED SOLO EXHIBITIONS |
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| 2002 | "Harmony Hammond: Dialogues and Meditations", Museum ofContemporary Art, Hazmat Exhibition Space. Illustrated catalog with essay by Paul Eli Ivey available. See www.moca-tucson.org |
| "Monster Prints", Site Santa Fe, NM. |
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| 1999 | Joyce Goldstein Gallery, NYC. May - June. (Catalog). |
| Joseph Gross Gallery, University of Arizona, Tucson. Jan. - Feb. (Catalog). |
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| 1998 | Linda Durham Contemporary Art, Galisteo, NM. (Catalog) |
| University of Vermont, Burlington. |
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| 1995 | University of Colorado, Denver. |
| University Art Galleries, University of Texas, Fox Fine, Art Center |
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| 1994 | Etherton Gallery at the Temple of Music and Art, Tucson, AZ. |
| 1993 | Tucson Museum of Art. (Catalog) |
| 1992 | Center for Contemporary Art, Santa Fe, NM. (Catalog) |
| 1989 | Etherton/Stern Gallery,, Tucson, AZ. |
| 1988 | Trabia-MacAffe Gallery, NYC. |
| Linda Durham Contemporary Art, Santa Fe, NM. |
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| Miami-Dade Community College, Miami, FL. |
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| 1987 | Jonson Gallery. Museum of the University of New Mexico, Albuquerque |
| 1986 | Bernice Steinbaum Gallery, NYC. |
| 1984 | Wadsworth Atheneum, Hartford, CT. (Catalog) |
| Luise Ross Gallery, NYC. |
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| A.I.R. Gallery, NYC. |
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| 1982 | Lerner-Heller Gallery, NYC. |
| Klein Gallery, Chicago, IL. (Catalog) |
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| A.I.R. Gallery, NYC. |
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| Real Art Ways, Hartford, CT. |
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| 1981 | Glenn Hanson Gallery and W.A.R.M., Minneapolis, MN. |
| Douglass College, Rutgers University, New Brunswick, NJ. |
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| 1979 | Lerner Heller Gallery, NYC. |
| P.S. #1, Long Island City, Queens, NY. |
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| 1976 | La Magna Gallery, NYC. |
| 1973 | A.I. R. Gallery, NYC. |
| SELECTED GROUP EXHIBITIONS | |
| 2002 | "Personal and Political: The Women’s Art Movement, 1969-1975", Guild Hall Museum, East Hampton. August. |
| "To Kiss the Spirits", Artemesia Gallery. Chicago, IL. October. |
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| "Ready, Set, D’Art", Tucson Museum of Art. |
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| 2001 | Arizona Bienneal, Tucson Museum of Art. |
| 2000 | "Genealogies, Miscegenations, Missed Generations," William BentonMuseum of Art, University of Connecticut, Storrs. (Catalog) |
| "Postcards From the Edge", Andrew Kreps Gallery, NYC. | |
| "Snapshot", Contemporary Museum, Baltimore. | |
| "Queer 2000", GAy & Lesbian Community Center, NYC. | |
| 1999 | "Out West", Plan B Evolving Arts, Santa Fe. (Catalog) |
| 1998 | "Lost and Found", Smack Mellon Studios, Brooklyn, NY. |
| "Transformation of Text," Helen Day Art Center, Stowe, Vt. |
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| "Generations," Galeria Mesa, Mesa, AZ. | |
| "Troubling Customs," Ontario College of Art & Design & School of Boston Museum of Fine Art. |
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| 1997 | "Home Is Where the Heart Is,", White Columns, NYC. (Catalog) |
| "Material Girls: Gender, Process and Abstract Art Since 1970," Gallery 128, NYC. |
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| "Afro Homo," The New School for Social Research, NYC. |
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| "Generation: 1972-1997", A.I.R. Gallery, NYC. |
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| "Game of Chance," Printworks Gallery, Chicago, IL. and traveling. | |
| 1996 | "Sexual Politics," Armand Hammer Museum, UCLA (Catalog) |
| "25 Years of Feminism, 25 Years of Women's Art," Douglass College, Rutgers University, New Brunswick, NJ. (Catalog) |
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| 1995 | "In A Different Light," University Art Museum and Pacific Film Archive, University of California, Berkeley. (Catalog) |
| "Division of Labor: Women's Work in Contemporary Art," The Bronx Museum, NY and The Museum of Contemporary Art, Los Angeles, CA. (Catalog) |
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| "Sniper's Nest: Art That Has Lived With Lucy Lippard," Center for Curatorial Studies, Bard College and traveling. |
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| 1994 | "Our Own Visions: Abiquiu After O'Keeffe," Roswell Museum, Roswell, NM. (Catalog) |
| 1992 | "New Mexico Impressions: Printmaking 1880-1990," New Mexico Museum of Fine Arts and University of New Mexico & traveling. |
| 1991 | "Presswork: the Art of Women Printmakers", The National Museum of Women in the Arts, Washington, DC, Elvehjem Museum & traveling. (Catalog) |
| 1990 | "Dia de los Muertos: The Homeless," The Alternative Museum, NYC. (Catalog) |
| "Contemporary Women: Works on Paper," Carnegie Museum of Art, Pittsburgh, PA. |
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| "Plane to Plane: Abstract Painting,", Cleveland State University, OH. | |
| "BAD GIRLS," Aljira Contemporary Art Newark, NJ. | |
| 1989 | "Lines of Vision: Drawings by Contemporary Women," Blum Helman Gallery, NYC, Hillwood Gallery & traveling. |
| "Requisition Clandestine," Counsul de Textiles, Montreal, Canada. |
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| 1987 | "Standing Ground: American Women Sculptors," Center of Contemporary Art. Cincinnati, OH. (catalog) |
| "Issues That Won't Go Away: Heresies," PPOW Gallery, NYC. |
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| "1987 Phoenix Bienneal," Phoenix Art Museum, AZ. (Catalog) |
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| 1986 | "1986 Camino A Cuba," Museo Universitario del Chopo, Mexico City. |
| "Por Encima del Bloqueo," Casa de la Obrapia, Bienal de la Habana, Cuba. | |
| 1985 | "Contemporary American Monotypes," Chrysler Museum, Norfolk, VA. |
| "Women Artists," Palladium, NYC (Guerrilla Girls Exhibition) |
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| "Contemporary American Prints: Recent Acquisitions," Brooklyn Museum, NY. |
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| 1984 | "Tradition and Conflict (1963-1973)," The Studio Museum, Harlem, NY. |
| "Rendez-vous: Sculpture International," St. Paul Port-Joli, Quebec. | |
| 1983 | "Life Signs," 55 Mercer Street. NYC. |
| "The Artist As Printmaker," The Brooklyn Museum, NY. |
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| "Luxuriance," American Center, Paris, France. (Catalog) |
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| "The Artist and the Quilt," McNay Art Museum, San Antonio, TX |
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| "Connections," Institute of Contemporary Art, Philadelphia, PA. |
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| 1982 | "Extended Sensibilities," The New Museum, NYC. (Catalog) |
| 1981 | "Decorative Sculpture," The Sculpture Center, NYC. |
| 1980 | "International Feminist Art," Haags Gementemuseum, The Hague. |
| "GALAS," The Woman's Building, Los Angeles, CA. (Catalog) |
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| 1978 | "Thick Paint," Renaissance Society, Chicago, IL. (Catalog) |
| " A Lesbian Show," 112 Greene Street, NYC. |
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| "Out of the House," Downtown Whitney Museum, NYC. |
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| 1977 | "Consciousness and Content," School of the Brooklyn Museum of Art. |
| "Primitivism in Contemporary Women's Art," Douglass College, Rutgers University, New Brunswick, NJ. |
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| 1975 | "Primitive Presence in the 70's", Vassar College, Poughkeepsie, NY. |
| 1974 | "A Women's Group," Nancy Hoffman Gallery, NYC. |
| 1973 | "Soft As Art," New York Cultural Center, NYC. |
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SELECTED CATALOGS |
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| 2002 | Dialogues and Meditations, essay by Paul Ivey. MOCA, Tucson, AZ. |
| 2000 | Miscegenations, Geneologies, & Missed Generations, essay by Erin Valentino. University of Connecticut, Storrs. |
| 1999 | Out West, Essay by Harmony Hammond. Plan B Evolving Arts, Santa Fe. |
| Harmony Hammond: Keeping It Small, Essay by Paul Ivey. Joyce Goldstein Gallery, NYC. |
|
| Landscapes of Exploitation, Essay by MaLin Wilson-Powell. Joseph Gross Gallery, Tucson, AZ. |
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| 1999 | "And this is an American Place too", Aline Brandauer. Harmony Hammond: Painting Sites, Linda Durham Contemporary Art. |
| 1996 | Sexual Politics, Armand Hammer Museum, UCLA. Essays by Amelia Jones and Laura Cottingham. |
| 1995 | Division of Labor, Bronx Museum, NY and Museum of Contemporary Art, L.A. Essay by Lydia Yee. |
| Farm Ghosts, University of Texas, El Paso. Essay by Kay Turner. |
|
| In A Different Light, University Art Museum , University of California, Berkeley. Essays by Lawrence Rinder, Nayland Blake, etc. |
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| 1993 | Farm Ghosts, Essay by Lucy Lippard. Tucson Museum of Art. |
| 1992 | Harmony Hammond: Uneasy Juxtapositions, Essay by Neery Melkonian, Center for Contemporary Art, Santa Fe, NM. |
| 1987 | Harmony Hammond: Radiant Spirits, Essay by Len Kleckner and interview by MaLin Wilson. Jonson Gallery, Univ of New Mexico, Albq. |
| 1984 | Harmony Hammond, Introduction by Andrea Miller-Keller & Judith Rohr. Matrix Gallery, Wadsworth Atheneum, Hartford,, CT. |
| 1982 | Harmonies, Essay by Arlene Raven, Klein Gallery, Chicago |
| Extended Sensibilities, Essay by Daniel Cameron. The New Museum, NYC. |
|
| 1981 | Harmony Hammond: Ten Years 1970-1980, Essay by Lucy Lippard, The Glen Hanson Gallery and W.A.R.M., Minneapolis. |
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SELECTED BIBLIOGRAPHY |
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| 2002 | THE Magazine, review by Paul Ivey. April. |
| The Art Journal, Review, summer. |
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| The Women’s Art Journal. Review, summer. |
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| 2001 | Art in America, Review by Robert Atkins, May. |
| 2000 | Lesbian Art in America: A Contemporary History, Harmony Hammond. Rizzoli, NYC. |
| Modern Art in the USA: Issues & Controversies of the 20th Century, ed. Patricia Hills. Prentice Hall. |
|
| Seeing Through the Seventies: Essays on Feminism and Art, Laura Cottingham. G & B International. |
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| 1999 | Women and Art: Contested Territory, Judy Chicago and Edward Lucie-Smith. The Ivy Press, Middlesex Eng. |
| Passionate Pictures: A History of Homosexuality in Art, James Saslow. Viking, NYC. |
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| "Harmony Hammond: Keeping It Small", J. Bowyer Bell. Review: The Critical State of Visual Art in New York, June 15. |
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| 1998 | Art in America, Sarah King. February. |
| THE Magazine, Diane Armitage. November. | |
| "Hammond Paintings", Malin Wilson. The Journal North, 9/10/98. | |
| "Harmony Hammond: Landscapes of Exploitation", Dottie Indyke, Pasatiempo, The New Mexican, 9/4-10/98. |
|
| "Lost and Found", Holland Cotter. The New York Times, 5/1/98. | |
| 1997 | "Harmony Hammond," Betty Brown. Dictionary of Women Artists, ed. Della Gaze Fitzroy. Dearborn Pub., London & Chicago. |
| Art Since 1960 (World of Art), Michael Archer, Thames and Hudson, London. | |
| "Home is Where the Heart Is: Our Family Values," Holland Cotter. The New York Times, 6/27/97. |
|
| "Material Girls," Holland Cotter. The New York Times, 10/31/97. | |
| 1995 | The Pink Glass Swan, Lucy Lippard. The New Press, NYC. |
| "The Universe of Harmony Hammond," THE Magazine, Santa Fe, NM. June. | |
| 1994 | The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West, Emmanual Cooper, Second Edition. Routledge, London & New York. |
| The Power of Feminist Art, Mary Garrard and Norma Broude. Abrams, NYC. | |
| Voicing Today's Visions, ed. M. Witzling. Universe Publishing, NYC. | |
| 1993 | "Harmony Hammond: Farm Ghosts," Paul Ivey. THE Magazine, October. |
| 1992 | "Interview with Harmony Hammond," Neery Melkonian, THE Magazine,October. |
| 1988 | "Sanctuary", Elizabeth Hess. The Village Voice, 5/24/88. |
| Feminist Art Criticism, Ed. Arlene Raven, Cassandra Langer, Joanna Frueh. Icon Editions. Harper Collins, NYC. | |
| Crossing Over: Feminism and Art of Social Change, Arlene Raven, UMI Press. | |
| 1987 | Art News, Gerrit Henry. |
| "Harmony Hammond' s Painted Spirits,", Judith Collischan Van Wagner. Arts Magazine, January. |
|
| 1985 | "Un Rendez-vous de Sculpteurs," Daniel Dutil. Vie Des Arts, Vol. XXIX, No. 117, Dec 1984-Jan 1985. Saint Paul Port-Joli. |
| 1984 | Arts Magazine, Gilbert Coker. Review. April. |
| Art News, Nancy Princenthal. Review, Summer. | |
| 1983 | "Harmony Hammond Strong Affections," Sandra Langer. Arts Magazine, February. |
| 1982 | "Lavendar," Nicholas Moufarrege. Arts Magazine, October. |
| "Binding/Bonding," Lucy Lippard. Art In America, April. | |
| Art Forum, Joan Casademont. Review, May. | |
| Fiber Arts, Jan Willard. July-August. | |
| American Women Artists, Charlotte Striefer Rubenstein, Avon. | |
| 1979 | Art in America, Ann Sargeant-Wooster. Review, April. |
| 1976 | "As the Paint Thickens," Carter Ratcliff. Art Forum, Summer. |
| From the Center: Feminist Essays on Women's Art, Lucy Lippard. Dutton. | |
| Art in America, Barbara Zucker. Review, April. |
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| Art Forum, Ann Sargeant-Wooster, Review, April. |
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| Arts Magazine, Carter Ratcliff. Review, March. |
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| 1975 | "On Contemporary Primitivism," Carter Ratcliff. Art Forum, November. |
| "New Trends in Painting and Sculpture", Rosemary Mayer. Information and Documents, Paris. |
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| 1973 | "Suggesting A Transference --Alan Shields, Harmony Hammond, Rosemary Mayer, Judd Fine," Paul Stitelman. Arts Magazine, September-October. |
| Art News, Lawrence Campbell. Review. |
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| SELECTED PUBLICATIONS BY HARMONY HAMMOND |
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| 2000 | Lesbian Art In America: A Contemporary History. Rizzoli, NYC. Authored book. |
| "Feminist Abstract Art - A Political Viewpoint", Reprinted in Modern Art In the USA: Issues & Controversies of the 20th Century, ed. Patricia Hills. Prentice-Hall. |
|
| 1999 | "Camping Out in the South West", Out West, Plan B Evolving Arts, Santa Fe. |
| 1998 | "Meetings With Agnes Martin," Agnes Martin: Works on Paper, ed. Aline Brandauer, Museum of Fine Art, Santa Fe. Catalog essay. |
| "M(art)ial Engagements," New Observations, Spring. Article. | |
| 1995 | "A Lesbian Show," In A Different Light, eds. Nayland Blake and Amy Scholder. Catalog essasy. |
| "Reminiscences," Sniper's Nest: Art That Has Lived With Lucy Lippard, Center for Curatorial Studies. Bard College. |
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| 1994 | Voicing Todays Visions, ed. M. Witzling. Universe Publishing, NYC. |
| 1993 | "A Space of Infinite and Pleasurable Possibilities: Lesbian Self-Representation in Visual Art," New Feminist Criticism: Art/Identity/Action, eds. Joanna Frueh, Cassandra Langer, Arlene Raven. Harper Collins. Chapter. |
| 1984 | Wrappings: Essays on Feminism, Art and the Martial Arts, Time and Space Ltd. Press, NYC. Authored book, out of print. |
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SELECTED GRANTS & FELLOWSHIPS |
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| 2001 | Tucson Pima Arts Council, University of Arizona |
| 2000 | Andrea Frank Foundation, Arizona Commission on the Arts |
| 1998 | Joan Mitchell Foundation |
| 1996 | Art Matters |
| 1995 | Adolph & Esther Gottlieb Foundation Fellowship |
| 1994 | Rockefeller Foundation Bellagio Study Center Residency, Italy |
| 1991 | John Simon Guggenheim Memorial Foundation Fellowship |
| 1990 | Change, Inc., Carnegie Fund for Authors Pollock-Krasner Fellowship (89-90) |
| 1983 | National Endowment for the Arts Fellowship |
| 1982 | New York State Council on the Arts CAPS Fellowship |
| 1979 | National Endowment for the Arts Fellowship |
TEACHING
University of Arizona, Tucson, AZ. Visiting Instructor-1988; Professor-1989;
Tenured Professor, 1990-present. Graduate Advisor 1989 & 1990.